Checking Boxes
By Lukas Bury In October 2021, the artist collective Lucky 3 presented one of their most remarkable performances during the Sequences Real Time Art Festival. Darren Mark, Dýrfinna Benita Basalan …
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“Conductive Path” by Sigurður Guðjónsson
Iceland’s representative at the Venice Biennale 2022, Sigurður Guðjónsson, opens a large-scale installation at the Factory in Hjalteyri. The exhibition is titled “Conductive Path” and takes over the entire 2000 …
The Icelandic Pavilion: Invigilators’ Guide to the Biennale 2022
The Guide consists of six articles which were researched and written by our pavilion invigilators whilst being based in Venice. Scroll down to see the overview of the variety of articles which …
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La Biennale Captures the Current Zeitgeist for Indigenous Voices to be Heard, but Are We Really Listening?
Máret Ánne Sara Gutted – Gávogálši, 2022. Background: Ale suova sielu sáiget, 2022. If there ever was a perfect time for Indigenous voices to be heard at the Venice Biennale, it would …
Posthumanism and Cyborgs in the Milk of Dreams
Lavinia Schulz and Walter Holdt, Maskinfigur, 1924 The International Art Exhibition of La Biennale di Venezia 2022 is titled The Milk of Dreams and is curated by Cecilia Alemani. The …
The Relevance and Influence of Wall Texts in Art Exhibitions
Marianna Simnett, The Severed Tail, 2022. In today’s art world, many artworks and exhibitions rely heavily on texts to guide their audience. When one reads the blurb accompanying a book …
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Films at the 59th Biennale: Fit for the White Cube or the Silver Screen?
Francis Alÿs, The Nature of the Game (installation view), 1999 – 2022. In recent decades fine arts has become more open to various art mediums, much like cinema which can …
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Spotlight on artist-led spaces: OPEN
Interview by: Ruby Reding | Photos: Courtesy of the gallery. We interviewed the four artists behind OPEN gallery, Hildigunnur Birgisdóttir, Örn Alexander Ámundason, Una Margrét Árnadóttir and Arnar Ásgeirsson, as …
