• 27.02.2023

Out There / New episode on exhibition Tracing Fragments with Daría Sól Andrews and Brynja Sveinsdóttir 

• 16.02.2023

First Travel grants awarded for 2023

• 08.02.2023

Talk Series: Maria Hlavajova

• 31.01.2023

February Exhibition Openings in Iceland

• 25.01.2023

Morse code, minerals and mythologies collide in Anna´s practice

• 20.01.2023

Wonder in the Midst of Dread: A Climate Conversation with Laurie Anderson and Anna Tsing

• 19.01.2023

January Exhibition Openings in Iceland

• 12.01.2023

Travel Grants – deadline Feb 1

• 30.12.2022

New Year Wishes 

• 15.12.2022

Icelandic Publications related to visual art

• 05.12.2022

Hildigunnur Birgisdóttir to represent Iceland at The Venice Biennale in 2024

• 05.12.2022

Holiday Season – Group Exhibitions and Markets

• 05.12.2022

Call for nominations

• 01.12.2022

Icelandic Art Advent Calendar 2022

• 29.11.2022

Biennale End: The Icelandic Pavilion

• 23.11.2022

The Icelandic Pavilion: Invigilators’ Guide to the Biennale 2022

• 23.11.2022

Good Thursday November Programme

• 15.11.2022

Exhibitions in Hong Kong, Berlin, Brussels, Rivoli and Copenhagen

• 10.11.2022

La Biennale Captures the Current Zeitgeist for Indigenous Voices to be Heard, but Are We Really Listening?

• 02.11.2022

CALL FOR PUBLICATIONS FROM 2022

• 31.10.2022

Special Invitation: LungA School x Kling&Bang

• 25.10.2022

GOOD THURSDAY OCTOBER PROGRAMME

• 19.10.2022

Out There / Episode 3: Sigurður Guðjónsson

• 11.10.2022

Write with us – Call for Contributions

• 05.10.2022

Non-binary & non-gender-conforming manifestations at la biennale arte 2022

• 28.09.2022

Una Björg Magnúsdóttir awarded one year residency at Kunstlerhaus Bethanien

• 23.09.2022

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