Hvísl í veggjunum is a show about absence. It is around the spaces that people carve out when the complexity of their experiences extends beyond the stories we know how to talk about.  In her pieces shaped by language and trauma, Megan Auður challenges Icelandic perspectives and language around sexual assault and ptsd. Alongside this work, Merik Goma’s photographs use a rich cinematic language to explore both deeply personal experiences of loss, and the narratives projected on black domesticities and the people within them.  Together, the works invite the audience into imagined worlds while confronting us with the limits of our own.