• 23.09.2022

BILLBOARD COMMERCIAL BREAK

• 15.09.2022

Exhibitions in New York, Berlin, Riga and Vienna

• 08.09.2022

Goethe Morph * Iceland

• 08.09.2022

Talk Series: Anda Rottenberg

• 06.09.2022

Borderland Poetics announces the participants of the assistant exchange programme 2022: Brigit Arop, Eglė Agne Benkunskytė and Lukas Strolia

• 30.08.2022

New Visual Arts Council appointed

• 30.08.2022

Katie Paterson: Incense Ceremony at the Living Art Museum

• 25.08.2022

Chart Art Fair Exhibitors from Iceland this Weekend

• 23.08.2022

Posthumanism and Cyborgs in the Milk of Dreams

• 18.08.2022

Marika Agu, Maria Arusoo, Kaarin Kivirähk and Sten Ojavee to curate Sequences XI

• 15.08.2022

Out There / Episode 2: Artist in Iceland Visa Action Group

• 05.08.2022

World Weather Network: Einar Falur’s Daily Weather Reports

• 04.08.2022

The Relevance and Influence of Wall Texts in Art Exhibitions

• 03.08.2022

Open call for a recidency at Kunstlerhaus Bethanien

• 07.07.2022

Summer Exhibitions of 2022

• 04.07.2022

Social structures examined at the Venice Biennale 2022

• 20.06.2022

Icelandic Art Center joins groundbreaking alliance of artists and writers in 28 countries across the world to form the World Weather Network in response to global climate crisis

• 16.06.2022

Films at the 59th Biennale: Fit for the White Cube or the Silver Screen?

• 14.06.2022

Temple of Alternative Histories

• 07.06.2022

Borderland Poetics: Open call for project assistants in Estonia, Lithuania and Iceland

• 28.04.2022

Stockholm Art Week 2022

• 25.04.2022

TALK Series: Shu Lea Cheang

• 28.03.2022

TALK Series: Gregory Sholette

• 22.03.2022

On gender, past and future projects, and a textured musical biography: In conversation with Gallery Gudmundsdottir

• 04.03.2022

Open letter: FOR SUPPORT AND SOLIDARITY WITH UKRAINE

• 03.03.2022

Nominees for the 2022 Icelandic Art Prize

• 21.02.2022

TALK Series: Krist Gruijthuijsen & Anna Gritz